Dickinson, still a prime candidate for the coolest actress on the planet, gets to dissect her role in great detail in the 29-minute "Symphony in White," in which she talks fondly about the film as her finest acting job, shares more memories of the body double process for the shower scene, and provides some highly memorable sound bites like "We're doing beaver shots here!" and "I almost never wanted to get in a taxi again." Then the articulate and charming Allen gets her turn for 23 minutes with "Symphony in Purple," in which she reiterates some of her thoughts on De Palma's technique, her big break on Carrie , her dancing skills influencing her sense of movement in front of the camera, reuniting with Gordon, and the challenges of shooting her one pivotal scene with Michael Caine
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